Sandy Bull The Rhythm Ace Live 1976 Rar ((LINK))
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After playing one song in his live set, guitarist/multi-instrumentalist Sandy Bull pauses to demonstrate the presets on his new-fangled drum machine. He bought the Rhythm Ace from Japan, and he goofs on the programmed marches, jazz waltzes, western lopes, bossa novas, and boleros that this \"drummer\" can provide. \"Now I'd like to introduce the rest of the band here,\" he announces to the crowd at the Berkeley Community Theater, opening up for Leo Kottke on May 2, 1976. \"We got Sandy Bull on rhythm guitar (he whistles and impersonates the crowd's roars), we got Sandy Bull on bass, and Mr. Rhythm Ace playing the kick-ass drum part.\" The crowd laughs, as no doubt the only sight is of Mr. Bull on his lonesome up on stage, with guitar, oud, four-track machine, and the Rhythm Ace as accoutrement.
Unlike another posthumous live album of Bull's recorded in 1969 (opening for Fahey), Live 1976 finds Bull in full command of his live setup, tape, and drum machines buoying his flights. His eight-minute oud improvisation is mesmeric, and on \"Driftin'\", he teases salsa rhythms out of an homage to doo-wop group the Drifters, all while garlanding steel guitar figures atop it. His vocal turn on \"Love is Forever\" proves that for all of this instrumental prowess, none of the steel-stringers should have ever been let near a microphone.
Though mostly known as an instrumentalist, Bull, who died in 2001, dabbled in singer-songwriter material. The best of the bunch, by Sandy Bull and the Rhythm Ace (his early drum machine), is a live recording at Berkeley Community Theatre from May 2, 1976. 153554b96e
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